(Argentina)

Dizem que quando o mar não tem peixes chegam as medusas, 2023
00:03:49, HD, 16:09
H.264, Color, Mono

Walking through Casa França in Rio de Janeiro—once the city’s first customs house—dressed as a medusa during Franz Weissmann’s solo exhibition Ritmo e Movimento, I existed as both a foreigner and a guest.

I surrounded and flirted with the monumental metal sculptures using a soft sculpture of my own.

If I could connect with someone, I offered a part of myself.

Outside, I crossed the street, where someone mentioned a building with a golden ring inside.

I performed an intimate ritual there.

I work with the textures of skin and the sense of touch.

I sew soft sculptures and wrap myself in them, moving through public space to create a dialogue between artwork, site, and audience.

This process multiplies creative spaces and promotes a view of art as a system of communication, as opposed to a mere object of contemplation.